Kenneth Snelson

Photograph source

From Beijing Tomorrow Art Gallery

Kenneth Snelson, born in 1927 Pendleton, Oregon, U.S.A., is a great contemporary sculptor in the United States. He used to study in University of Oregon, Eugene, Oregon; Black Mountain College, Black Mountain, N.C.; Fernand Leger, Paris. His works are found in any portfolio of urban landscape sculpture: delicate structures of stainless steel rods deliver spectacular visual effects that grace city public spaces and present the calm of nature.

Snelson’s sculptures focus on basic structure of the physical world and physical forms in 3D space - energy and motion. By combining mathematical logic with illusion, he conveys the image of both particle and universe.

The digital sculptures for 2008 Digital Stone Exhibition in China are speculations on atomic structure, on which Snelson has been working for 48 years. With their interstices and (suggested) spheres within spheres, Kenneth Snelson’s atomic models, especially Dark Matter (2008) and Holding Pattern (2008) evoke the Contrefaitkugeln made in ivory and wood by seventeenth-century European maestros.

The polar coordinate symmetry or balance above can be viewed as mathematical essence of the universe. It usually appears as a basic structure and basic principle of the structure, and then expands endlessly based on the basic structure and the basic principle. The oldest and most mysterious version of this model can be found in diagrams of Luoshu and Yijing in ancient China. For example, Luoshu Jiugong (which means 3X3 grids).

“Free Ride Home,” 1974, aluminum and stainless steel, 10 x 20 x 20m, Collection: Storm King Art Center